Here we have a collection of how to tips for various aspects of jewelry making. These tips and tricks are generic in that you can use this knowledge in overlapping areas of your work in jewelry making. We have tried to classify them for you in broad categories to make it easier for you to find what you need.
However we do suggest to get a cuppa, sit back and relax, and check through all the categories. The how to tips, despite our category-classification, do sometimes span across more than one in real life.
This section deals mainly with general techniques that can be applied to many forms of jewelry. For more specific tutorials and to get greater inspiration, the Jewelry Making Tutorials section will layout complete tutorials showing completed projects.
This section is for all kinds of methods and techniques you can employ with beads, crystals, stones, and gemstones in your projects. Beads can be used in jewelry making, clothing decoration, shoe embellishment, on bags, and in just about any imaginable field of endeavour.
You can use any fabric that you can get a needle through. Bead embroidery has been around for generations and is highly valued in the haute couture fashion world. Amongst the most renown wedding dress featuring beading on fabric is of course Princess Diana's wedding dress. Beads on fabrics look great not only on dresses, gowns and in fashion but also add that 'something extra' on bags, hats, shoes, belts, and even paper.
In the illustration below on Beading on Fabric, we show a fabric (that has designs on it) that can be further enhanced with bugle and seed beads. Combining beads with sequins really makes a fabric stand out. Small pearl beads adds tremendous value and distinction.
Bead Embroidery on paper is a very interesting and rewarding craft, made more so by the diverse wealth of beautiful paper being produced. Just like beading on fabric, it is also possible to bead on paper - for card making, in scrapbooking, making books and album covers, wedding invitations, etc.
This will be a collection of some of the many beading stitches. There are many and varied and they can help you produce even more remarkable new creations by utilizing these skills.
Many of these techniques make use of seed beads and rocailles though once you have gotten the skill under your belt, you can use the same techniques with any bead of your fancy.
The purpose of this Beading Stitches Sampler Library is so that you can see what some of these stitches look like as well as how they could look different with different kinds of beads. I will be using a variety of beads, including varying qualities. The results should be both instructive and interesting. I may also employ contrasting thread color so that there is a chance of seeing the threading in the samplers.
This sampler is done up with bugle beads. Here you can see the Herringbone pattern quite clearly. The Herringbone stitch is also commonly known as the Ndebele Stitch.
This next Herringbone Stitch sampler is done using random colours and even slightly random sized round seed beads. Here the herringbone pattern is not as obvious.
Sample of bead caps done in Tubular Herringbone stitch. Beads are silver plated 2mm round metal beads and bugle beads.
Peyote stitch is one of the most popular stitches around. This sampler is done with mixed color seed beads of irregular sizes. You can see the up-down / zigzag pattern that is at the core of this stitch.
Another sampler with the same kinds of seed beads.
This next Peyote stitch sampler shows where there has been a mid-way increase causing the work to span outwards. The black beads are where the increase has taken place.
This is a quick sampler. I have deliberately used a slightly contrasting thread colour so I could see the threads after the sampler was done. Square Stitch over 15 stitches using China metallic gold and frosted black seed beads (available from ClearlyChosen stores)
This next Square Stitch sampler is done with multi-colors and uneven sized seed beads. As you can see, even with uneven sizes, one can produce quite attractive pieces.
At the time of writing, packs of these mixed coloured seed beads can be purchased from ClearlyChosen jewelry supplies store.
How you finish your jewelry pieces, though usually not the most fun part of the project, is crucial to the overall quality and feel of your jewelry piece. After spending many hours and sleepless nights on your design and when the main (fun) part is completed, you might feel that you just want to get on with the next project. Many projects get left at this stage - i.e. unfinished. Or worse, you hurriedly throw in a clasp or toggle and hope no one will notice the lack of effort there. But they will.
So here are some tips and tricks on how to finish jewelry pieces and achieve a professional looking finish.
Crimp bead, also know as French Crimp (which we will use interchangeably), is a small metal bead with thin walls and comparatively large holes. It is designed to be flattened with a crimp tool or crimping pliers. It is used to finish off wire or cord at the ends in lieu of unsightly knots and when used properly, give the jewelry a finished, professional look.
These crimps are most often used with beading wire but it can also very effectively be used with strong threads.
| 1) Thread your wire through a french crimp, and then through the loop on your fastener. (Illustration here is shown using a barrel screw clasp.) Use 2 french cimps if you are using heavy beads. |
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| 2) Then thread the wire back through the crimp, forming a small loop that allows movement but small enough to be neat. Flatten out your french crimp with a flat-nose plier or crimping pliers to firmly secure the crimp position. When you thread on your beads, slide them up towards your crimped end. Thread the left-over wire into the beads to hide it. |
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| 3) When you have finished stringing on all your beads to your specific design, thread another french crimp at the other end, and do the same as above and thread the spare end of the wire into the beads so as to hide it from sight. | ![]() |
Crimp Covers - a fairly new innovation - is easy and fun to use yet gives you a much smoother and seamless finish.
| 1) After you have crimped your crimp bead/tube in place, you are ready for your crimp cover. | ![]() |
| 2) Place your crimp cover between the jaws of your pliers. Note: orientation of open jaw and open part of crimp are in the same direction. |
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| 3) Place the crimp cover over your crimped bead/tube and gently squeeze the crimp cover closed. Note: do not squeeze too hard or the cover will collapse. |
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| 4) Wolla! Your crimp is now inside the crimp cover and doesn't it just look like a lovely bead! | ![]() |
French wire, also know as gimp, gimp wire, or bullion wire will give your hand strung beads and precious gemstones a professional finish as well prolongs it safety by decreasing wear and tear on the stringing threads. Our full article on French wire also gives a simple way of using this finely coiled gimp wire.
The technique below gives another and a more detailed step-by-step guide. Be sure to take note of the Tips below.
| 1) After you have strung your beads, pass the one end of your thread through a crimp bead and a suitable length of French wire/gimp. Then through the ring of your clasp. Do not try to pass the thread twice through the gimp. If you do the gimp wire will not form properly and you could end up with a mess. |
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| 2) Pass the thread back through the crimp bead and pull tightly. The gimp should now look like a metal loop going through your clasp-ring. 3) (opt) Pass the thread through more beads for security. 4) Squeeze the crimp beads with crimping pliers to secure and fix the threads. Cut off excess threading. |
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| 5) Do the same with the other side of your strung beads. | |
Vintage (looking) metals have become increasingly popular in jewelry making. The process of giving metal a vintage or antique look is variously called darkening, oxidizing, patinizing or antiquing.
Brass is the most common metal to undergo antiquing in jewelry making.
There are various ways to create antique brass which can be done at home. (You can also find out how to antique copper).
For you to be able to oxidize the brass so that you can quickly achieve a rich aged patina on the metal, raw brass must be used. However most brass components come with some protective varnish. And grease (like from fingers during handling) is also deposited on the surface. These must be removed thoroughly before the antiquing process begins.
Clean brass component completely with any of the following:
Here is a collection of various methods that you can try out. Experiment with the various antiquing metals to discover your own favourite.
Suspend your brass items over ammonia that is in a covered jar, making sure that the brass components do not come into contact with the ammonia. You can use fishing line or nylon stocking to suspend the metal. Secure it to the bottle with rubber band or sticky tape on the outside. Then lid the jar.
This can take a few hours. Check on progress and determine when you are satisfied with the color changes.
Soaking brass in Clorox (toilet bowl cleaner) will help dull the brightness and tone down the brassy, shinny tone without leaving a brown patina on brass.
Brush the brass items with saltwater. This is slower than brushing with vinegar but it produces a different patina - possibly a more "antiqued" look.
Brush or vinegar over the entire surface of the brass items. Allow to dry and check results. Reapply and dry repeatedly till you get the patina colour you want. This method should give you a quick darkening of the brass.
Suspend the brass items over vinegar and allow the fumes to oxidize the brass. You can suspend the items using nylon stocking, cheesecloth, or fishing lines over the vinegar (not in it). Cover the entire setup with a bucket or other container to prevent the fumes from escaping.
This is a list of products that I have heard are good for antiquing brass.
Patina Green Antiquing Solution (from company Moden Options) - can be used on copper, brass, bronze. For both indoors and outdoors. No special tools required. Water based.
After the antiquing process, you can allow the brass to age/oxidize naturally. Or you can (temporarily) seal the antique finish using beeswax. Prepared beeswax like Johnson's Wax can be applied directly using a clean. lint-free soft cloth.
You can also try floor wax or a clearcoat.
Vintage (looking) metals has become increasingly popular in jewelry making. The process of giving metal a vintage or antique look is variously called darkening, oxidizing, patinating or antiquing. Brass is probably the most common metal to undergo antiquing in jewelry making but antique copper look is also becoming more and more popular.
There are various ways to create antique copper which can be done at home. (You can also find out how to antique brass).
Here is a collection of various methods that you can try out. Experiment with the various antiquing metals to discover your own favourite.
Ensure copper pieces are clean and dry. With a sponge, apply neat bleach (Domestos works best) onto the copper surface. Let the bleach dry (approx. 12 hours). Reapply till you get the patina colour you want.
To make the copper "green", place them in a plastic bag with crushed hard boiled eggs. Tie up bag and leave overnight.
To achieve a spotted, acid-washed look, use Harpic (toilet cleaner).
Liver of Sulphur is available as a dilute, ready to use liquid, or a crystal-like solid that can be diluted in water. It is now readily available from a number of sites so you can just Google for it. You can also try chemist stores or garden centers.
Liver of Sulphur (or Potassium Polysulphide), when using in crystal-like solid form, can be easily dissolved in water. Use about the size of your smallest thumbnail in 600ml of water. It is used to produce light brown to black patina, depending on how diluted it is. Less water = darker color.
To achieve a deep rich brown on the copper:
Put your dissolved Liver of Sulphur solution into a spray bottle.
Spray onto the copper while heating the metal with a gas torch.
Then gently rub down copper with a wet scourer until it is a light brown color.
Prepare a weak ferric nitrate solution.
Reheat the copper surface while applying the solution.
This should deepen, darken the copper further to a richer tone.
Iridescent Colors
Apply with a brush. Experiment with different ratio (of Liver of Sulphur to water). Only mix small quantities as the mixture will lose viability quickly (max. about 30 minutes).
You can see the effect instantly so clean the copper if you don't like it and try again. This patina is not stable so have to be lacquered later to maintain the effect achieved.
After the antiquing process, you can seal the antique finish using beeswax. Prepared beeswax like Johnson's Wax can be applied directly using a clean. lint-free soft cloth.
You can also try floor wax or a clearcoat.
Wire work (or wirework) is an interesting, diverse, and expanding field. If you are a beginner, it often feels over-whelming. All those terms and jargon. All the things you need to know to be able to tame your wire to do what it is told. Here we hope to bring more and more wire tips, tricks, and how to so that you and your jewelry wire become better friends.
The jewelry wire you buy often comes coiled (as in spools). There are times when it is just handy to have a straight piece of wire to work with - like if you were contemplating making some ear wires.
There is a very simple way to straighten wire as well as make them stronger.
1) Uncoil a short length of wire. Grip one end tightly with a flat nose plier. Tip: use pliers with non-serrated jaws so that you don't mark the wire. |
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2) With a second set of pliers, grip a point along the wire - away from the first one. The distance apart should be approximately the length you would like to straighten. Pull both pliers away from each other with some strength. You should feel the wire straightening. This work hardens [definition] the wire. |
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| 3) You should now end up with a usable, strong, straight piece of wire. | ![]() |